GOA
CHURCHES
Goa,
Jewel of India, is studded with temples and churches,
which remain as silent but forceful witnesses
to the intense religious history of the diverse
people who lived here. Hence a pilgrimage to Goa
is a unique experience.
Church building was one of the main
occupations of the early Portuguese and in fact
one of Vasco da Gama's main missions for finding
the sea route to India was to "seek Christians
and spices".
Christianity was forced upon with
religious fervor by the Portuguese during the
period of the "Inquisition" with wide
scale destruction of temples and this continued
till the official end of the "Inquisition"
in Goa in 1812. Most of Goa's churches were built
on the very site of former temples. The confiscated
lands of the temples were handed over to the church
and the communidades. In fact, the first Hindu
temple allowed to be constructed by the Portuguese
in 300 years was in 1818 at Panaji.
With a significant population of
Goans being Christians for many generations today,
the Church is an important factor in Goa's social
, cultural and religious life. For example, the
contribution of the Church to education in Goa
is immense.
Se Cathedral Chruch
One of the most ancient and celebrated religious
buildings of Goa, this magnificent 16th century
monument to the Roman Catholic rule in Goa under
the Portuguese is the largest church in Asia.
The Cathedral is dedicated to St. Catherine of
Alexandria on whose feast day in 1510 Alfonso
Albuquerque defeated the Muslim army and took
possession of the city of Goa. Hence it is also
known as St. Catherine's' Cathedral.
The Cathedral was commissioned by
the Portuguese Viceroy, Redondo to be "a
grandiose church worthy of the wealth, power and
fame of the Portuguese who dominated the seas
from the Atlantic to the Pacific". The final
edifice is bigger than any of the churches in
Portugal itself.
The construction of this imposing
edifice began in 1562 during the reign of King
Dom Sebastião (1557-78) and substantially
completed by 1619. The main altars however were
not finished until the year 1652. It was consecrated
in 1640. The Cathedral was built for the Dominicans
and paid for by the Royal Treasury out of the
proceeds of the sale of the Crown's property.
The Cathedral stands to the west
of the great square called Terreiro de Sabaio
and has its façade turned to the east.
Its beautiful courtyard is approached by a flight
of steps. The building is Portuguese-Gothic in
style with a Tuscan exterior and Corinthian interior.
The church is 250 ft in length and 181 ft in breath.
The frontispiece stands 115 ft high.
There were originally two towers,
one on either side of the façade, but the
one on the southern side collapsed in 1776. The
exterior of the cathedral is notable for its plainness
of style built in the Tuscan tradition. The loss
of one bell tower, which was never rebuilt, has
given the building a unique look
The Church of St. Anne at
Talaulim. Ilhas
Of all the churches in Goa, the most ostentious
and notable for its excellent architeture is that
of St Anne. It was reconstructed by Mons Francisco
do Rego with his own funds and with the constributions
of some villagers. Unfortunately he could not
complete the task thus the onus befell on Fr Antonio
Francisco da Cunha for its completion which he
did 1965. The main altar is consecrated to St
Anne.
There is a belief that the main
altar is pledged to this beloved Saint due to
certain reasons as narrated By Fr F de Souza in
his ‘Oriente Conquistado’ - In the
island of Goa (Tiswadi) in the year 1577 some
devotees purchased the site which came to be known
as ‘Quinta de Sant Ana’ where every
week the students of ‘Colegio de S Paulo’
used to indulge themselves in some leisure activities.
The priest who was residing at the
local was entrusted for the conversions of the
villagers of Moula and Talaulim decided to consturct
a small hermitage though he failed to consecrate
the same in honour of any known saint.
However a ‘Gaokar’ Bartalomeu
Marchon said that he saw an old woman coming down
the hill with a walking cane and a hat and claimed
that the hermitage was her abode and wanted to
set her residence therein.
Not knowing the name of this lady
the priest propagated in the village this reported
instance. On hearing about this incident, an old
Brahmin lady, claimed that when she was seriously
ill the same old lady appeared to her in her dreams
and held her hand to rise from her stricken bed
and said that her name was Anne and wnted a house
in the village.
The result of this dream was her miraculous cure
and subsequent conversion which precipitated the
priest to avow that the glorious St Anne had to
be revered in theta village as such the Church
was consecreated to St Anne.
Basilica of Bom Jesus
This is the
only church in Old Goa, which is not plastered
on the outside, the lime plaster having been stripped
off by a zealous Portuguese conservationist in
1950.
Located at Old Goa, 10 kilometres
east of Panaji, the Bom Jesus Basilica is a World
Heritage Monument.
The foundation stone of this remarkably
large church was laid on 24 November 1594 and
the church was consecrated by Fr. Alexia de Menezes,
the Archbishop of Goa and Primate of India consecrated
it when it was completed on 15 May 1605. In 1946
it was raised to the status of a minor Basilica.
The Order of Jesuits was suppressed
in 1759 and its property confiscated by the Portuguese
State. The church was, however allowed to continue
services.
This magnificent edifice stands
as a superb example of Baroque architecture in
Goa. The church is called "Bom Jesus"
meaning 'good Jesus' or 'infant Jesus' to whom
it is dedicated. The façade has on it,
at the top, the letters, "HIS" which
are the first three letters of Jesus in Greek.
The imposing facade built out of
black granite in an exquisite combination of the
Doric, Corinthian and composite styles, is remarkable
for its simplicity. It measures 183 ft in length,55
ft in breath, and 61 ft in height. The main altar
is 54 ft high and 30 ft broad. The pillars and
detail are carved from basalt which was brought
from Bassein, some 300 kms away. The interior
of the church is built in Mosaico-Corinthian style
and is remarkable for its charming simplicity.
Reis Magos Church
The small hamlet of Reis Magos lies on banks of
the Mandovi river and is home to two famous landmarks
of Goa - the Reis Magos fort and the Reis Magos
Church. It is also one of only three places in
Goa, where the unique Feast of the Three Wise
Men is held.
Reis Magos lies off the main road,
which passes through the fishing and boat-building
villages of Betim and Verem on the way to the
more famous tourist spots of Calangute and Candolim
beaches. At the Verem Bazar, a turning past a
Hindu tree shrine takes the traveller to Reis
Magos.
The Church, whose whitewashed gabled
facade is visible from across the river in Panaji,
was built in 1555. Fransiscan friars, who were
in charge of missionary work for the area, took
over the church and founded a small seminary here.
The church, which was built shortly
after the fort above it, was dedicated to St Jerome.
Historians have found evidence to support the
fact that the Church was built on the ruins of
an old Hindu temple. Two typical symbols of the
Hindu Vijayanagar temple architecture - bas-relief
lion figures can be seen on the flanks, at the
start of the steps going up to the Church.
Not long after its construction,
the Church and the Seminary became a well established
site for learning and its prominence can be gauged
from the fact that the Portuguese royal coat of
arms is imprinted below the crucifix at the top
of the gable. Two of Goa´s former Viceroys
are actually buried here, their tombstone inscriptions
in Por4tuguese and Latin still clearly legible.
One of the tombs is that of Dom
Luis de Ataide, who gained fame all over the Portuguese
empire for his spirited defense of the colony
of Goa, when just with a force of 700 men, he
managed to keep at bay 10,000 Muslim attackers
supported by 2000 elephants for a period of ten
long months.
Church of St. Francis of
Assissi
To the west of the Se Cathedral is the former
palace of the Archbishop that connects the Se
Cathedral to the Convent and Church of St. Francis
of Assisi. The structure is built of laterite
blocks and is lime-plastered.
The church faces west and has a
nave with three chapels on either side, a choir,
two altars in the transept and a main altar. To
the north of the main altar is a belfry and a
sacristy. The convent, which forms an annexure
to the church, now houses the Archaeological Museum.
The exterior of the Church is of
the Tuscan Order while the main entrance is in
Manuline style. The main altar is Baroque with
Corinthian features. There are no aisles but only
a nave, which is rib-vaulted.
The internal buttress walls, separating
the chapels and supporting the gallery on top,
have frescoes showing intricate floral designs.
In a niche on the façade,
stands a statue of our lady of miracles brought
from Jaffna in Sri Lanka. A wooden statue of St.
Francis of Assisi adorns a pedestal bearing the
insignia of the Franciscans. A wooden pulpit,
richly carved with floral designs is to the left
as one enters.
A church consecrated to the
Holy Ghost was built in 1521 and was later pulled
down and the present church was built on the same
spot in 1661 retaining only the entrance of the
earlier church.
Church of Mary Immaculate
Conception
The church was one of the first to be built in
Goa, certainly being there by 1541.
The early church was completely
re-built from its foundations in 1619 and this
was even considered, taking accountof the still
negligible population of the area and the size
of the new church, is a striking commentary on
the religious climateof the time and the wealth
available to the churches.
The interior of the church is relatively
simple by the standards of the time although the
backdrop to the main altar, dedicated to Mary
Immaculate, is impressive enough.
However, it is the two flanking
altars that catch the eye, that on the left dedicated
to Jesus Crucified and that on the right to Our
Lady of the Rosary.
Each is a riot of heavily gilded,
deeply carved ornamentation, yet compact and controlled,
a fine example of the period. At the side of each
is a marble statue, one of St Peter and one of
St Paul.
In the south transept to the right
of the main altar is a Chapel of St. Francis Xavier,
whose glass-encased statue occupies the centre
of the reredos.
Church of St Paul
By the year 1827 the College and the Church were
already in a pretty devastated state. This was
finally completely demolished in 1829 by the Goverment
except for the façade and the material
was taken to Panjim to be utilized for new constructions.
The remaining arch of the façade of the
Church lies on the road from Old Goa to Ponda
just a short distance from the Gandhi Circle,
on the left side of the road among a cluster of
trees.
It was started as a seminary of
the Holy Faith for training young converts by
two priests Diogo de Borba and Miguel Vaz who
had established the Santa Fé confraternity.
The construction began in November 1541 and completed
on January 25, 1543, the day of feast of Conversion
of St. Paul to whom the church was dedicated.
The College of St Paul was among
the largest in India. Beside elementary instruction,
higher education in Music, Latin, Arts and sciences
was also imparted, capped with lectures in Philosophy
and theology. Even the degree of Master of Arts
and the Doctorate were conferred here.
In 1548, when Fr Borba passed away,
the seminary was handed over to St. Francis Xavier
who had recently arrived in Goa and was residing
at the Hospital Real (Royal Hospital). The College
of St. Paul's was the first house of the Jesuit
Order in Goa. After some years, the old college
buidling was demolished and the two separate buildings
were constructed, Both connected to each other
by a passage. Seminário de Santa Fé
was for the students and the other building called
Colégio de São Paulo was for the
residence of the Jesuits.
In 1556, King Dom Joao III issued
an ordinance by which the College was opened for
secular studies. By 1568 around three thousand
students from India and other parts of Asia were
enrolled at the college
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